AES Europe 2025

AES Europe 2025

9:00am CEST

Free Online Course “Spatial Audio - Practical Master Guide” Hall FKarolina Jaruszewska • Jens Ahrens • Daniel Deboy The Advance of UWB for High Quality and Low Latency Audio C3Jonathan McClintock Awarded albums of Jakub Józef Orliński (#letsbarock and Orfeo ed Euridice) deconstructed by sound supervisor and music producer - Mateusz Banasiuk C4Mateusz Banasiuk

9:30am CEST

Correlation between middle and top layer loudspeaker signals and the listening range in 3D audio reproduction C2Toru Kamekawa • Atsushi Marui Sound Synthesis 101: An Introduction To Sound Creation C1Krzysztof Kicior

9:50am CEST

Plane wave creation in non-spherical loudspeaker arrays using radius formulation by the Lamé function C2Tomohiro Sakaguchi • Yasuhiro Oikawa

10:00am CEST

Binamix - A Python Library for Generating Binaural Audio Datasets LobbyDan Barry • Davoud Shariat Panah • Alessandro Ragano • Jan Skoglund • Andrew Hines Real-Time Performer Switching in Chamber Music LobbyPawel Malecki • Jan Kalinowski • Marek Pluta The benefits, tradeoffs, economics and tradeoffs of standard and proprietary digital audio networks in DSP systems LobbyMiguel Chavez The Sound Map of Białystok − From monophonic to immersive audio repository of urban soundscapes LobbyAgnieszka Duniewicz • Klaudia Bagińska • Kamila Borys • Paweł Antoniuk • Karol Wójcik • Ireneusz Mrozek • Sławomir K. Zieliński

10:10am CEST

Recursive solution to the Broadband Acoustic Contrast Control with Pressure Matching algorithm C2Guilhem Pages • Roberto Longo • Laurent Simon • Manuel Melon

10:15am CEST

Telematic City Jam - Warsaw Hall FMagdalena Chudy Logarithmic frequency resolution filter design with applications to loudspeaker and room equalization C3Balázs Bank

10:30am CEST

GSound-SIR: A Spatial Impulse Response Ray-Tracing and High-order Ambisonic Auralization Python Toolkit C2Yongyi Zang • Qiuqiang Kong

10:45am CEST

Sound Aesthetics for Impressive 3D Audio Productions C4Lasse Nipkow

11:00am CEST

Ambisonic Spatial Decomposition Method with salient / diffuse separation C2Lukas Gölles • Matthias Frank Hi-fi Sound Quality at Concert-Level Volume Hall F

11:15am CEST

Don't run! It's just a synthesizer C1Gustaw Miłoszewski

11:20am CEST

Towards a standard listener-independent HRTF to facilitate long-term adaptation C2Pedro Llado • Katharina Pollack • Nils Meyer-Kahlen

11:40am CEST

Real-Time Auralization Pipeline for First-Person Vocal Interaction in Audio-Visual Virtual Environments C2Mauricio Flores Vargas • Enda Bates • Rachel McDonnell

11:45am CEST

How Does It Sound Now? The Evolution of Audio C3Gary Gottlieb Best practices for wireless audio in live production Hall FBob Lee

12:00pm CEST

On the Design of Binaural Rendering Library for IAMF Immersive Audio Container C2Tomasz Rudzki • Gavin Kearney • Jan Skoglund Lasse Nipkow 3D Notes Room 004 (Genelec)Lasse Nipkow Advanced Spatial Recording Techniques for Chamber Orthodox-Choir Music in Monumental Acoustics C4Pawel Malecki

1:00pm CEST

Convention Opening Ceremony, AES Awards Presentation and Keynote Presentation Hall FHyunkook Lee

2:00pm CEST

Technical Committee on Automotive Audio Meeting Production Room 3

2:45pm CEST

Students Welcome Hall F Objects and Layers: Creating a Sense of Depth in Atmos recordings C4David Bowles The Ins and Outs of Microphones C3John Willett

3:00pm CEST

Analysis and Model of Temporal Sound Attributes from Recorded Audio C1Georgios Moiragias • John Mourjopoulos Technical Committee on Archiving, Restoration & Digital Libraries Meeting Production Room 3 An in-situ perceptual evaluation of spatial audio in an automotive environment LobbyBogdan Bacila • Mihai Orita • Nara Hahn • Filippo Fazi • Philip Nelson Automated soundstage tuning in cars LobbyMatteo Acerbi • Lucio Bianchi Comparing Artificially Created Acoustic Environments to Real Space Responses: Integrating Objective Metrics and Subjective Perceptual Listening Tests LobbyEmilia Kalliri • Rigas Kotsakis • Nikolaos Vryzas • Charalampos Dimoulas • George Kalliris Perceptual Evaluation in varying Levels of Acoustic Detail in Multimodal Virtual Reality LobbyHaowen Zhao • Damian Murphy

3:20pm CEST

Honeybee sound generation using Machine learning techniques C1Piotr Książek • Urszula Libal

3:30pm CEST

Enveloping Masterclass: Morten Lindberg Room 004 (Genelec)Thomas Lund • Morten Lindberg

3:40pm CEST

Moving Sound Source Localization and Tracking based on Envelope Estimation for Unknown Number of Sources C1Donghang Wu • Jiaqi Du • Tianshu Qu • Qingbo Huang • Dejun Zhang

3:45pm CEST

Commercial Audio Sponsored Session: Television Remote Production - audio and control requirements in an ST2110 environment Hall FBenno Sonder The Records of Gaitan: Restoring the long silenced voice of an important political figure in Colombian History. C4Ricardo Escallon • John Krivit

4:00pm CEST

Room Geometry Inference Using Localization of the Sound Source and Its Early Reflections C1Donghang Wu • Xihong Wu • Tianshu Qu Key Technology Briefings 1: Summer Theatre in Szczecin. Acoustic and stage technology conditions for concerts in semi-open space C2Piotr Kozłowski Student Recording Competition 1 C3Ian Corbett

4:30pm CEST

Key Technology Briefings 1: Wireless Microphone Coverage at Warsaw Horse Racing Track C2Łukasz Starakiewicz

4:40pm CEST

Comparing Human and Machine Ensemble Width Estimation in Binaural Music Recordings under Simulated Anechoic Conditions C1Paweł Antoniuk • Karol Wójcik • Slawomir Zielinski • Hyunkook Lee

5:00pm CEST

Automatic generation of music captions C1Mateusz Zieleziński • Ewa Łukasik Key Technology Briefings 1: Active Acoustics in a Historic Venue: The Theater an der Wien Story C2Fabio Kaiser Polish Audio Manufacturers Hall FMagdalena Piotrowska • Antoni Ożyński • Marek Walaszek • Krzysztof Tonn • Konrad Żywiecki Student Mix Critique Session Room 004 (Genelec)Ian Corbett Technical Committee on Broadcast & Online Delivery Meeting Production Room 3 Getting the most out of your immersive production C4Lennart Damann • Benedikt Ernst

5:15pm CEST

High Pass everything! or not? C3Cesar Lamschtein

5:30pm CEST

Key Technology Briefings 1: Acoustics & Structural Isolation - Case Studies and Design Insights C2Paulo Pinto

6:00pm CEST

Heyser Lecture: It's All About Perception - A Personal Research Journey Hall FDr. Jürgen Herre

8:00pm CEST

Convention Dinner Off-Site

9:00am CEST

Student Mix Critique Session Room 004 (Genelec)Ian Corbett Binaural Audio Reproduction Using Loudspeaker Array Beamforming Hall FJacob Hollebon • Marcos Simón Theoretical, Aesthetic, and Musical Review of Microphone Techniques for Immersive Sound Recording C4Kimio Hamasaki • Toru Kamekawa • Masataka Nakahara

9:15am CEST

Generative AI in Audio Education: Process-Centred Teaching for a Product-Centred World C1Malachy Ronan Investigating Individual, Loudness-Dependent Equalization Preferences in Different Driving Sound Conditions C2Jan Rennies • Andreas Volgenandt • Sina Buchholz • Tobias Bruns • Christian Rollwage • Jens-E. Appell

9:30am CEST

Education & Career Fair Lobby

9:35am CEST

A Collaborative and Reflective Framework for Redesigning Music Technology Degree Programmes C1Malachy Ronan • Kevin Garland Subjective test of loudspeaker virtualization C2Camillo Di Antonio • Matteo Acerbi • Lucio Bianchi

9:55am CEST

Acoustic Sovereignties: Resounding Indigenous Knowledge in Sound-Based Research C1Hayden Ryan Objective measurements for basic sound quality and special audio features in cars C2Xiaojun Qiu

10:15am CEST

Fast facts on room acoustics Hall FEddy B. Brixen

10:30am CEST

Use of Headphones in Audio Monitoring C3Thomas Lund

10:40am CEST

Testing Auditory Illusions in Augmented Reality: Plausibility, Transfer-Plausibility and Authenticity C1Nils Meyer-Kahlen • Sebastia Vicenc Amengual Gari • Sebastian Schlecht • Tapio Lokki Acoustic Objects: bridging immersive audio creation and distribution systems C2Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel

10:45am CEST

Immersive Music Production - Stereo plus effects is not enough! C4Tom Ammermann

11:00am CEST

Perceptual Evaluation of a Mix Presentation for Immersive Audio with IAMF C1Carlos Tejeda Ocampo • Toni Hirvonen • Ema Souza Blanes • Mahmoud Namazi • Jan Skoglund Immersive Music Production Workflows: An Ethnographic Study of Current Practices C2Marcela Rada • Russell Mason • Enzo De Sena Stephan Bock 3D Notes Room 004 (Genelec)Stephan Bock Fryderyk Chopin Museum Tour at the Fryderyk Chopin Institute of Warsaw Off-Site

11:20am CEST

Evaluation of auditory distance perception in reflective sound field by static and dynamic virtual auditory display C1Zixiang Yan • Jun Zhu • Bousn Xie Spherical harmonic beamforming based Ambisonics encoding and upscaling method for smartphone microphone array C2Yuhuan You • Yufan Qian • Tianshu Qu • Bin Wang • Xueyang Lv

11:40am CEST

Tiresias - An Open-Source Hearing Aid Development Board C2João Victor Colombari Carlet • Felipe Pimenta Bernardo • Bruno Cepeda Henriques • Mateus Isaac de Oliveira • Vinicius Marrara Pepino • Regina Tangerino de Souza Jacob • Wanderléia Quinhoneiro Blasca • Maria Fernanda Mondelli • Giédre Berretin-Felix • Deborah Viviane Ferrari • João Navarro • Ben-Hur Viana Borges Subjective evaluation of immersive microphone arrays for drums C1Arthur Moelants • Steven Maes

12:00pm CEST

Hi-fi Sound Quality at Concert-Level Volume Hall FRadosław Strzeżek • Antoni Paluszkiewicz Key Technology Briefings 2: PGE Narodowy Stadium - 360 degrees live sound - Case Study C1Kamil Zajdel Student Recording Competition 2 C3Ian Corbett Adaptive Room Acoustics Optimisation Using Virtual Microphone Techniques LobbyBrian de Brit • Gavin Kearney • David Dorran Analysis of the Sound Pressure Level Distribution in the Low-Frequency Range Below the First Modal Frequency in Small Room Acoustics LobbyAgnieszka Puzio • Bartłomiej Chojnacki Instantaneous Low-frequency Energetic Analysis for Detection of Standing Waves LobbyMadalina Nastasa • Ville Pulkki • Aki Mäkivirta

12:15pm CEST

The Future Of Spatial Audio For Consumers C2Jacob Hollebon • Marcos Simón • Jan Skoglund • Hyunkook Lee • Markus Zaunschirm • Jean-Marc Jot

12:30pm CEST

Key Technology Briefings 2: Active Acoustics and Immersive Sound - Why and How We Do It C1Piotr Kozłowski

1:00pm CEST

Key Technology Briefings 2: Architecture, aesthetics and sound diffusion in concert halls – a case study C1Andrzej Kłosak Kseniya Kawko 3D Notes Room 004 (Genelec)Kseniya Kawko Student Recording Competition 3 C3Ian Corbett

1:15pm CEST

The Future of Immersive Audio: Expanding Beyond Music and Film Hall FTomasz Żernicki • Piotr Stachera • Wojciech Ozimek • Remi Audfray

1:45pm CEST

Discrimination of vowel-like timbre quality: A case of categorical perception? C2Andrzej Miśkiewicz • Tomira Rogala On the effect of photogrammetric reconstruction and pinna deformation methods on individual head-related transfer functions C1Katharina Pollack • Piotr Majdak • Lorenzo Picinali Data-driven estimation of traditional frame drum construction specifications LobbyNikolaos Vryzas • Vasileios Bountourakis • Antonis Pagonis A Testbed for Detecting DeepFake Audio LobbyAndrzej Czyżewski • Divjot Singh • Tasie Kenneth • Mateusz Koniarek • Tanvir Ahmed • Marta Zielonka An audio quality metrics toolbox for media assets management, content exchange, and dataset alignment LobbyNikolaos Vryzas • Iordanis Thoidis • Lazaros Vrysis • George Papanikolaou • Charalampos Dimoulas Application for Binaural Audio Plays: Development of Auditory Perception and Spatial Orientation LobbyKlaudia Piątek • Dorota Exploring the Process of Interconnected Procedurally Generated Visual and Audial Content LobbyGrzegorz Samson G.A.D.A.: Guitar Audio Dataset for AI - An Open-Source Multi-Class Guitar Corpus LobbyMonika Zarudzka • Cyprian Zasada • Piotr Krzyżanowski • Klaudiusz Muszyński • Maciej Trocha • Szymon Zaporowski

2:00pm CEST

Listening session: Immersive Microphone Techniques for Drums C4Arthur Moelants • Steven Maes Technical Committee on Spatial Audio Meeting Production Room 3 Enveloping Masterclass: Kimio Hamasaki Room 004 (Genelec)Kimio Hamasaki • Thomas Lund

2:05pm CEST

Speech intelligibility in noise: A comparative study of musicians, audio-engineers, and non-musicians C2Karolina Szczepanowska • Andrzej Miśkiewicz Mesh2PPM - Automatic Parametrization of the BezierPPM: Entire Pinna C1Florian Pausch • Felix Perfler • Nicki Holighaus • Piotr Majdak

2:15pm CEST

Storytelling in Audio Augmented Reality C3Matias Harju

2:25pm CEST

Exploring stimulus spacing bias in MUSHRA listening tests using labeled and unlabeled graphic scales C2Ihar Balyka • Sławomir K. Zieliński Towards a Headphone Target Curve for Spatial Audio C1Alexander Mülleder • Nils Meyer-Kahlen • Konstantin Davy • Matthias Frank

2:45pm CEST

Investigating Listeners’ Emotional and Physiological Responses to Varying Apparent Width and Horizontal Position of a Single Sound Source C2Antonina Stefanowska • Sławomir K. Zieliński Sound Source Directivity Estimation in Spherical Fourier Domain from Sparse Measurements C1Orhun Olgun • Huseyin Hacihabiboglu

3:00pm CEST

Lenni & Bene 3D Notes Room 004 (Genelec)Lennart Damann Technical Committee on Acoustics & Sound Reinforcement Meeting Production Room 3 Loudness of movies for Broadcasting Hall FFlorian Camerer

3:05pm CEST

A study on reverberation in a virtual acoustic setting using the Lexicon 960L Reverb Processor C2Aybar Aydin • Kathleen Zhang • Jack Kelly • Richard King • Wieslaw Woszczyk Perceptual evaluation of professional point and line sources for immersive audio applications C1Leon Merkel • Franz Zotter • Philip Coleman

3:15pm CEST

ECHO Project - Immersive Microphone Array Techniques for Orchestral Recording C4Hyunkook Lee • Katarzyna Sochaczewska • Morten Lindberg • Mark Willsher • Simon Ratcliffe

3:25pm CEST

Detection of spectral component asynchrony: Applying psychoacoustic research to transient phenomena in music C2Jan Żera

4:00pm CEST

Key Technology Briefings 3: The New Koszalin Philharmonic – Acoustic Tuning: From Concrete Shell to Musical Performances C1Piotr Pękala Richard King 3D Notes Room 004 (Genelec)Richard King Technical Committee on Coding of Audio Signals Meeting Production Room 3 Sound Engineering Department at the Fryderyk Chopin University of Music Off-Site Neural 3D Audio Renderer for acoustic digital twin creation LobbyLukasz Januszkiewicz • Piotr Cenda • Maria Pensko • Jakub Wasilewski • Tomasz Wozniak Reconstructing Sound Fields with Physics-Informed Neural Networks: Applications in Real-World Acoustic Environments LobbyRigas Kotsakis • Sotiris Lois • Iordanis Thoidis • Nikolaos Vryzas • Lazaros Vrysis • George Kalliris Recording and post-production of Dietrich Buxtehude baroque cantatas in stereo and Dolby Atmos using experimental 3D microphone array. LobbyŁukasz Kurzawski Subjective Evaluation on Three-dimensional VBAP and Ambisonics in an Immersive Concert Setting LobbyChenyu Xu • Giacomo Ascari • Kate Bosen • Jesper Andersen • Stefania Serafin Visualization of the spatial behavior between channels in surround program LobbyPavel Smokotnin

4:30pm CEST

Key Technology Briefings 3: Redundancy Race: Ensuring Reliability in Complex Audio Distribution Systems C1Kamil Zajdel Ask Us Anything About Starting Your Career Hall FIan Corbett • Kseniya Kawko • Maryam Safi • Margaret Luthar • Angelika Podola

5:00pm CEST

Key Technology Briefings 3: Immersive Audio and Active Acoustics in Modern Concert Halls – Digital Audio Networks at Cavatina Hall & Moniuszko Opera C1Tomasz Ibrom Morten Lindberg 3D Notes Room 004 (Genelec)Morten Lindberg Exploring Temporal Properties of Closely Delayed Signals in Immersive Music Production: Psychoacoustic and Spatial Perception Considerations C4Can Murtezaoglu • Taylan Ozdemir MusicToolz Studio Tour Off-Site Technical Committee on Recording Technology and Practices Meeting Production Room 3

5:30pm CEST

Key Technology Briefings 3: The use of acoustic cameras in industrial noise measurements – examples of applications. C1Damian Dąbrowski

8:30pm CEST

AES Student Party Off-Site

10:00pm CEST

Live Concert! “re:MAD” Off-Site

9:00am CEST

Strategies for Obtaining True Quasi-Anechoic Loudspeaker Response Measurements C1John Vanderkooy A new one-third-octave-band noise criteria C2Christopher Struck Student Mix Critique Session Room 004 (Genelec)Ian Corbett Creating and distributing immersive audio: from IRCAM Spat to Acoustic Objects C4Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel Tutorial Workshop: The Gentle Art of Dithering Hall FBob Stuart • Peter Craven Extension of Reflection-Free Region for Loudspeaker Measurements LobbyJohn Vanderkooy Impact of Voice-Coil Temperature on Electroacoustic Parameters for Optimized Loudspeaker Enclosure Design in Small-Signal Response LobbyNicolás Quinteros • Víctor Espinoza Material Characterization and Variability in Loudspeaker Membranes for Acoustic Modeling LobbyAdriane Elizabeth Replogle • Chiara Corsini • Luca Villa • Grazia Spatafora • Romolo Toppi Shape Optimization of Waveguides for Improving the Directivity of Soft Dome Tweeters LobbyHe Xiao • Jun Gu • Zhi Li • Jianbin Yang Supervised Machine Learning for Quality Assurance in Loudspeakers: Time Distortion Analysis LobbyGregg O'Donnell

9:20am CEST

IMPro -- Method for Integrated Microphone Pressure Frequency Response Measurement Using a Probe Microphone C1John Cozens • Matti Hämäläinen • Mikko Pekkarinen Mixed-Phase Equalization of Slot-loaded Impulse Responses C2Sunil Bharitkar • William Decanio

9:40am CEST

Non-invasive sound field sensing in enclosures using acousto-optics C1Manuel Hahmann • Chloé Balmes • Esteban Fuentes • Samuel Verburg Analog Pseudo Leslie Effect with High Grade of Repeatability C2Cristiano dos Santos • Sidnei Noceti Filho • Walter Gontijo

10:00am CEST

Computational Complexity Analysis of the K-Method for Nonlinear Circuit Modeling C2Martin Jedla • Balázs Bank

10:30am CEST

Student Recording Competition 4 C4Ian Corbett

10:40am CEST

Immersive recordings in virtual acoustics: differences and similarities between a concert hall and its virtual counterpart C1Gianluca Grazioli • Andrea Gozzi • Mehdi Rahimdokht • Alessandro Braga • Richard King • Wieslaw Woszczyk A simplified RLS algorithm for adaptive Kautz filters C2Kristóf Horváth • Balázs Bank

10:45am CEST

Audio Post in the AI Future Hall FBradford Swanson • Leslie Gaston-Bird • Michał Fojcik • Nicolas de la Vega

11:00am CEST

Analysis of the acoustic impulse response of an auditorium C1Rubén Fraile • Juan José Gómez-Alfageme • Elena Blanco-Martín • Juana María Gutiérrez-Arriola • Nicolás Sáenz Lechón An Artificial Reverberator Informed by Room Geometry and Visual Appearance C2Ruari Molyneux • Joshua Reiss Footsteps of Fryderyk Chopin Guided Walking Tour of Warsaw Off-Site Enveloping Masterclass: Florian Camerer Room 004 (Genelec)Florian Camerer • Thomas Lund Students Project Expo Lobby

11:20am CEST

Sparsity-based analysis of sound field diffuseness in rooms C1Ece Beren Genc • Mert Burkay Coteli • Huseyin Hacihabiboglu Direct convolution of high-speed 1 bit signal and finite impulse response C2Iori Sakurai • Yuta Gomi • Tomohiro Sakaguchi • Yasuhiro Oikawa

11:40am CEST

Evaluating room acoustic parameters using ambisonic technology: a case study of a medium-sized recording studio C1Maciej Jasiński • Jan Żera Knowledge Distillation for Speech Denoising by Latent Representation Alignment with Cosine Distance C2Diep Luong • Mikko Heikkinen • Konstantinos Drossos • Tuomas Virtanen

11:45am CEST

The Next Generation of Immersive Capture and Reproduction: Sessions from McGill University’s Virtual Acoustic Laboratory C4Kathleen Zhang • Mihai-Vlad Baran • Aybar Aydin • Michail Oikonomidis • Mathew Vallejo • Jack Kelly • Richard King • Wieslaw Woszczyk

12:00pm CEST

Tom Ammermann 3D Notes Room 004 (Genelec)Tom Ammermann

12:15pm CEST

Simulated Free-field Measurements C2Christopher Struck

12:30pm CEST

What was it about the Dolby Noise Reduction System that made it successful? C3Jamie Angus-Whiteoak

1:00pm CEST

Hi-fi Sound Quality at Concert-Level Volume Hall FRadosław Strzeżek • Antoni Paluszkiewicz David Bowles 3D Notes Room 004 (Genelec)David Bowles

1:45pm CEST

Be A Leader! Hall FGary Gottlieb • Leslie Gaston-Bird • Ewa Łukasik • Brecht De Man • Bartłomiej Mróz A century of dynamic loudspeakers C3Juha Backman

3:00pm CEST

Convention Closing Ceremony Hall F

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