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Thursday, May 22
 

9:30am CEST

Correlation between middle and top layer loudspeaker signals and the listening range in 3D audio reproduction C2Toru Kamekawa • Atsushi Marui

11:45am CEST

How Does It Sound Now? The Evolution of Audio C3Gary Gottlieb

1:00pm CEST

Convention Opening Ceremony, AES Awards Presentation and Keynote Presentation Hall FHyunkook Lee

2:45pm CEST

Objects and Layers: Creating a Sense of Depth in Atmos recordings C4David Bowles

3:00pm CEST

An in-situ perceptual evaluation of spatial audio in an automotive environment LobbyBogdan Bacila • Mihai Orita • Nara Hahn • Filippo Fazi • Philip Nelson Automated soundstage tuning in cars LobbyMatteo Acerbi • Lucio Bianchi

3:30pm CEST

Enveloping Masterclass: Morten Lindberg Room 004 (Genelec)Thomas Lund • Morten Lindberg

3:40pm CEST

Moving Sound Source Localization and Tracking based on Envelope Estimation for Unknown Number of Sources C1Donghang Wu • Jiaqi Du • Tianshu Qu • Qingbo Huang • Dejun Zhang

4:00pm CEST

Student Recording Competition 1 C3Ian Corbett

5:00pm CEST

Polish Audio Manufacturers Hall FMagdalena Piotrowska • Antoni Ożyński • Marek Walaszek • Krzysztof Tonn • Konrad Żywiecki Student Mix Critique Session Room 004 (Genelec)Ian Corbett

5:15pm CEST

High Pass everything! or not? C3Cesar Lamschtein

6:00pm CEST

Heyser Lecture: It's All About Perception - A Personal Research Journey Hall FDr. Jürgen Herre
 
Friday, May 23
 

9:00am CEST

Student Mix Critique Session Room 004 (Genelec)Ian Corbett

9:15am CEST

Investigating Individual, Loudness-Dependent Equalization Preferences in Different Driving Sound Conditions C2Jan Rennies • Andreas Volgenandt • Sina Buchholz • Tobias Bruns • Christian Rollwage • Jens-E. Appell

9:55am CEST

Objective measurements for basic sound quality and special audio features in cars C2Xiaojun Qiu

11:00am CEST

Stephan Bock 3D Notes Room 004 (Genelec)Stephan Bock Perceptual Evaluation of a Mix Presentation for Immersive Audio with IAMF C1Carlos Tejeda Ocampo • Toni Hirvonen • Ema Souza Blanes • Mahmoud Namazi • Jan Skoglund

12:00pm CEST

Student Recording Competition 2 C3Ian Corbett Adaptive Room Acoustics Optimisation Using Virtual Microphone Techniques LobbyBrian de Brit • Gavin Kearney • David Dorran

12:15pm CEST

The Future Of Spatial Audio For Consumers C2Jacob Hollebon • Marcos Simón • Jan Skoglund • Hyunkook Lee • Markus Zaunschirm • Jean-Marc Jot

1:00pm CEST

Student Recording Competition 3 C3Ian Corbett

1:15pm CEST

The Future of Immersive Audio: Expanding Beyond Music and Film C4Tomasz Żernicki • Piotr Stachera • Wojciech Ozimek • Remi Audfray

1:45pm CEST

A Testbed for Detecting DeepFake Audio LobbyAndrzej Czyżewski • Divjot Singh • Tasie Kenneth • Mateusz Koniarek • Tanvir Ahmed • Marta Zielonka

2:50pm CEST

A study on reverberation in a virtual acoustic setting using the Lexicon 960L Reverb Processor C1Aybar Aydin • Kathleen Zhang • Jack Kelly • Richard King • Wieslaw Woszczyk

4:00pm CEST

Richard King 3D Notes Room 004 (Genelec)Richard King
 
Saturday, May 24
 

10:40am CEST

Immersive recordings in virtual acoustics: differences and similarities between a concert hall and its virtual counterpart C1Gianluca Grazioli • Andrea Gozzi • Mehdi Rahimdokht • Alessandro Braga • Richard King • Wieslaw Woszczyk

11:00am CEST

Analysis of the acoustic impulse response of an auditorium C1Rubén Fraile • Juan José Gómez-Alfageme • Elena Blanco-Martín • Juana María Gutiérrez-Arriola • Nicolás Sáenz Lechón

11:40am CEST

Evaluating room acoustic parameters using ambisonic technology: a case study of a medium-sized recording studio C1Maciej Jasiński • Jan Żera

11:45am CEST

The Next Generation of Immersive Capture and Reproduction: Sessions from McGill University’s Virtual Acoustic Laboratory C4Kathleen Zhang • Mihai-Vlad Baran • Aybar Aydin • Michail Oikonomidis • Mathew Vallejo • Jack Kelly • Richard King • Wieslaw Woszczyk

12:30pm CEST

What was it about the Dolby Noise Reduction System that made it successful? C3Jamie Angus-Whiteoak
 
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