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Thursday, May 22
 

9:00am CEST

Free Online Course “Spatial Audio - Practical Master Guide” Hall FKarolina Jaruszewska • Jens Ahrens • Daniel Deboy

9:30am CEST

Sound Synthesis 101: An Introduction To Sound Creation C1Krzysztof Kicior

10:00am CEST

The Sound Map of Białystok − From monophonic to immersive audio repository of urban soundscapes Hall FSławomir Zieliński • Agnieszka Duniewicz • Klaudia Bagińska • Kamila Borys • Paweł Antoniuk • Karol Wójcik • Ireneusz Mrozek

10:45am CEST

Sound Aesthetics for Impressive 3D Audio Productions C4Lasse Nipkow

11:45am CEST

How Does It Sound Now? The Evolution of Audio C3Gary Gottlieb

11:50am CEST

Real-Time Auralization Pipeline for First-Person Vocal Interaction in Audio-Visual Virtual Environments C2Mauricio Flores Vargas • Enda Bates • Rachel McDonnell

12:00pm CEST

Advanced Spatial Recording Techniques for Chamber Orthodox-Choir Music in Monumental Acoustics C4Pawel Malecki

2:30pm CEST

Comparing Artificially Created Acoustic Environments to Real Space Responses: Integrating Objective Metrics and Subjective Perceptual Listening Tests Hall FEmilia Kalliri • Rigas Kotsakis • Nikolaos Vryzas • Charalampos Dimoulas • George Kalliris

4:00pm CEST

Objects and Layers: Creating a Sense of Depth in Atmos recordings C4David Bowles

5:00pm CEST

Getting the most out of your immersive production C4Lennart Damann • Benedikt Ernst
 
Friday, May 23
 

9:00am CEST

Binaural Audio Reproduction Using Loudspeaker Array Beamforming C3Jacob Hollebon • Marcos Simón Theoretical, Aesthetic, and Musical Review of Microphone Techniques for Immersive Sound Recording C4Kimio Hamasaki • Toru Kamekawa • Masataka Nakahara

9:15am CEST

Generative AI in Audio Education: Process-Centred Teaching for a Product-Centred World C1/2Malachy Ronan

10:15am CEST

Fast facts on room acoustics Hall FEddy B. Brixen

10:30am CEST

Use of Headphones in Audio Monitoring C3Thomas Lund

10:40am CEST

Testing Auditory Illusions in Augmented Reality: Plausibility, Transfer-Plausibility and Authenticity C1Nils Meyer-Kahlen • Sebastia Vicenc Amengual Gari • Sebastian Schlecht • Tapio Lokki Acoustic Objects: bridging immersive audio creation and distribution systems C2Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel

11:40am CEST

Spherical harmonic beamforming based Ambisonics encoding and upscaling method for smartphone microphone array C2Yuhuan You • Yufan Qian • Tianshu Qu • Bin Wang • Xueyang Lv

12:00pm CEST

Analysis of the Sound Pressure Level Distribution in the Low-Frequency Range Below the First Modal Frequency in Small Room Acoustics Hall FAgnieszka Puzio • Bartłomiej Chojnacki The Future of Immersive Audio: Expanding Beyond Music and Film C4Tomasz Żernicki • Piotr Stachera • Wojciech Ozimek

12:15pm CEST

The Future Of Spatial Audio For Consumers C2Jacob Hollebon • Marcos Simón • Jan Skoglund • Hyunkook Lee

1:15pm CEST

Immersive Listening C4

1:45pm CEST

Application for Binaural Audio Plays: Development of Auditory Perception and Spatial Orientation Hall FKlaudia Piątek • Dorota Młynarczyk

1:50pm CEST

Speech intelligibility in noise: A comparative study of musicians, audio-engineers, and non-musicians C1Karolina Szczepanowska • Andrzej Miśkiewicz

2:15pm CEST

Storytelling in Audio Augmented Reality C3Matias Harju

2:50pm CEST

Perceptual evaluation of professional point and line sources for immersive audio applications C2Leon Merkel • Franz Zotter • Philip Coleman

3:15pm CEST

ECHO Project - Immersive Microphone Array Techniques for Orchestral Recording C4Mark Willsher • Hyunkook Lee • Katarzyna Sochaczewska • Morten Lindberg

4:00pm CEST

Room Geometry Inference Using Localization of the Sound Source and Its Early Reflections C1Donghang Wu • Xihong Wu • Tianshu Qu Recording and post-production of Dietrich Buxtehude baroque cantatas in stereo and Dolby Atmos using experimental 3D microphone array. Hall FŁukasz Kurzawski Visualization of the spatial behavior between channels in surround program Hall FPavel Smokotnin
 
Saturday, May 24
 

9:00am CEST

Creating and distributing immersive audio: from IRCAM Spat to Acoustic Objects C4Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel Supervised Machine Learning for Quality Assurance in Loudspeakers: Time Distortion Analysis Hall FGregg O'Donnell

9:20am CEST

IMPro -- Method for Integrated Microphone Pressure Frequency Response Measurement Using a Probe Microphone C1John Cozens • Matti Hämäläinen • Mikko Pekkarinen

10:45am CEST

Audio Post in the AI Future C3Bradford Swanson

11:00am CEST

Loudness of movies for Broadcasting Hall FFlorian Camerer

11:45am CEST

The Next Generation of Immersive Capture and Reproduction: Sessions from McGill University’s Virtual Acoustic Laboratory C4Kathleen Zhang • Mihai-Vlad Baran • Aybar Aydin • Michail Oikonomidis • Mathew Vallejo • Jack Kelly • Richard King • Wieslaw Woszczyk

12:30pm CEST

What was it about the Dolby Noise Reduction System that made it successful? C3Jamie Angus-Whiteoak
 
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