AES Europe 2025

AES Europe 2025

9:00am CEST

Erato recordings (title TBC) C4Mateusz Banasiuk • Warner Mateusz Free Online Course “Spatial Audio - Practical Master Guide” Hall FKarolina Jaruszewska • Jens Ahrens • Daniel Deboy The Advance of UWB for High Quality and Low Latency audio C3Jonathan McClintock

9:30am CEST

Sound Synthesis 101: An Introduction To Sound Creation C1Krzysztof Kicior

10:15am CEST

Logarithmic frequency resolution filter design with applications to loudspeaker and room equalization C3Balázs Bank

10:45am CEST

Sound Aesthetics for Impressive 3D Audio Productions C4Lasse Nipkow

11:25am CEST

Don't run! It's just a synthesizer C1Gustaw Miłoszewski

11:45am CEST

How Does It Sound Now? The Evolution of Audio C3Gary Gottlieb Best practices for wireless audio in live production Hall FBob Lee

12:00pm CEST

Advanced Spatial Recording Techniques for Chamber Orthodox-Choir Music in Monumental Acoustics C4Pawel Malecki

2:30pm CEST

The Ins and Outs of Microphones C3John Willett Tutorial: Capturing Your Prosumers C1/2Joshua Ingram

4:00pm CEST

Objects and Layers: Creating a Sense of Depth in Atmos recordings C4David Bowles

4:30pm CEST

The Records of Gaitan: Restoring the long silenced voice of an important political figure in Colombian History. C4Ricardo Escallon • John Krivit

5:00pm CEST

Getting the most out of your immersive production C4Lennart Damann • Benedikt Ernst

5:15pm CEST

High Pass everything! or not? C3Cesar Lamschtein

9:00am CEST

How to create and use audio for accessible video games? Hall FTomasz Żernicki • Joanna Pigulak • Tomasz Tworek Binaural Audio Reproduction Using Loudspeaker Array Beamforming C3Jacob Hollebon • Marcos Simón Theoretical, Aesthetic, and Musical Review of Microphone Techniques for Immersive Sound Recording C4Kimio Hamasaki • Toru Kamekawa • Masataka Nakahara

10:15am CEST

Fast facts on room acoustics Hall FEddy B. Brixen Immersive Music Production - Stereo plus effects is not enough! C4Tom Ammermann

10:30am CEST

Use of Headphones in Audio Monitoring C3Thomas Lund

12:00pm CEST

The Future of Immersive Audio: Expanding Beyond Music and Film C4Tomasz Żernicki • Piotr Stachera • Wojciech Ozimek

12:15pm CEST

The Future Of Spatial Audio For Consumers C2Jacob Hollebon • Marcos Simón • Jan Skoglund • Hyunkook Lee

2:15pm CEST

Storytelling in Audio Augmented Reality C3Matias Harju

3:15pm CEST

ECHO Project - Immersive Microphone Array Techniques for Orchestral Recording C4Mark Willsher • Hyunkook Lee • Katarzyna Sochaczewska • Morten Lindberg

4:00pm CEST

Beyond Stereo: Using Binaural Audio to Bridge Legacy and Modern Sound Systems C3Alex Kosiorek

4:30pm CEST

Ask Us Anything About Starting Your Career Hall FIan Corbett

5:00pm CEST

Exploring Temporal Properties of Closely Delayed Signals in Immersive Music Production: Psychoacoustic and Spatial Perception Considerations C4Can Murtezaoglu • Taylan Ozdemir

9:00am CEST

Creating and distributing immersive audio: from IRCAM Spat to Acoustic Objects C4Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel Tutorial Workshop: The Gentle Art of Dithering Hall FBob Stuart • Peter Craven

10:45am CEST

Audio Post in the AI Future C3Bradford Swanson

11:00am CEST

Loudness of movies for Broadcasting Hall FFlorian Camerer

11:45am CEST

The Next Generation of Immersive Capture and Reproduction: Sessions from McGill University’s Virtual Acoustic Laboratory C4Kathleen Zhang • Mihai-Vlad Baran • Aybar Aydin • Michail Oikonomidis • Mathew Vallejo • Jack Kelly • Richard King • Wieslaw Woszczyk

12:15pm CEST

Workshop: How to Build a World-Class Brand in 24 Hours C1/2Joshua Ingram

12:25pm CEST

Simulated Free-field Measurements C2Christopher Struck

12:30pm CEST

What was it about the Dolby Noise Reduction System that made it successful? C3Jamie Angus-Whiteoak

1:45pm CEST

Be A Leader! Hall FGary Gottlieb • Ewa Łukasik • Brecht De Man • Leslie Gaston-Bird A century of dynamic loudspeakers C3Juha Backman