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Thursday, May 22
 

9:00am CEST

Free Online Course “Spatial Audio - Practical Master Guide” Hall FKarolina Jaruszewska • Jens Ahrens • Daniel Deboy

9:30am CEST

Correlation between middle and top layer loudspeaker signals and the listening range in 3D audio reproduction C2Toru Kamekawa • Atsushi Marui

10:45am CEST

Sound Aesthetics for Impressive 3D Audio Productions C4Lasse Nipkow

2:45pm CEST

Objects and Layers: Creating a Sense of Depth in Atmos recordings C4David Bowles

3:00pm CEST

An in-situ perceptual evaluation of spatial audio in an automotive environment Hall FBogdan Bacila • Mihai Orita • Nara Hahn • Filippo Fazi • Philip Nelson Automated soundstage tuning in cars Hall FMatteo Acerbi • Lucio Bianchi

3:30pm CEST

Enveloping Masterclass: Morten Lindberg Room 004 (Genelec)Thomas Lund • Morten Lindberg

5:00pm CEST

Getting the most out of your immersive production C4Lennart Damann • Benedikt Ernst
 
Friday, May 23
 

9:00am CEST

Theoretical, Aesthetic, and Musical Review of Microphone Techniques for Immersive Sound Recording C4Kimio Hamasaki • Toru Kamekawa • Masataka Nakahara

10:30am CEST

Use of Headphones in Audio Monitoring C3Thomas Lund

10:40am CEST

Acoustic Objects: bridging immersive audio creation and distribution systems C2Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel

10:45am CEST

Immersive Music Production - Stereo plus effects is not enough! C4Tom Ammermann

11:00am CEST

Perceptual Evaluation of a Mix Presentation for Immersive Audio with IAMF C1Carlos Tejeda Ocampo • Toni Hirvonen • Ema Souza Blanes • Mahmoud Namazi • Jan Skoglund Immersive Music Production Workflows: An Ethnographic Study of Current Practices C2Marcela Rada • Russell Mason • Enzo De Sena

11:40am CEST

Subjective evaluation of immersive microphone arrays for drums C1Arthur Moelants • Steven Maes

12:00pm CEST

The Future of Immersive Audio: Expanding Beyond Music and Film C4Tomasz Żernicki • Piotr Stachera • Wojciech Ozimek

12:15pm CEST

The Future Of Spatial Audio For Consumers C2Jacob Hollebon • Marcos Simón • Jan Skoglund • Hyunkook Lee

2:00pm CEST

Enveloping Masterclass: Kimio Hamasaki Room 004 (Genelec)Kimio Hamasaki • Thomas Lund

2:10pm CEST

Towards a Headphone Target Curve for Spatial Audio C2Alexander Mülleder • Nils Meyer-Kahlen • Konstantin Davy • Matthias Frank

2:50pm CEST

Perceptual evaluation of professional point and line sources for immersive audio applications C2Leon Merkel • Franz Zotter • Philip Coleman

3:15pm CEST

ECHO Project - Immersive Microphone Array Techniques for Orchestral Recording C4Mark Willsher • Hyunkook Lee • Katarzyna Sochaczewska • Morten Lindberg

4:00pm CEST

Recording and post-production of Dietrich Buxtehude baroque cantatas in stereo and Dolby Atmos using experimental 3D microphone array. Hall FŁukasz Kurzawski Subjective Evaluation on Three-dimensional VBAP and Ambisonics in an Immersive Concert Setting Hall FChenyu Xu • Giacomo Ascari • Kate Bosen • Jesper Andersen • Stefania Serafin

5:00pm CEST

Exploring Temporal Properties of Closely Delayed Signals in Immersive Music Production: Psychoacoustic and Spatial Perception Considerations C4Can Murtezaoglu • Taylan Ozdemir
 
Saturday, May 24
 

9:00am CEST

Creating and distributing immersive audio: from IRCAM Spat to Acoustic Objects C4Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel

10:40am CEST

Immersive recordings in virtual acoustics: differences and similarities between a concert hall and its virtual counterpart C1Gianluca Grazioli • Andrea Gozzi • Mehdi Rahimdokht • Alessandro Braga • Richard King • Wieslaw Woszczyk

11:45am CEST

The Next Generation of Immersive Capture and Reproduction: Sessions from McGill University’s Virtual Acoustic Laboratory C4Kathleen Zhang • Mihai-Vlad Baran • Aybar Aydin • Michail Oikonomidis • Mathew Vallejo • Jack Kelly • Richard King • Wieslaw Woszczyk
 
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