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AES Europe 2025

Kacper Chmielewski

9:00am CEST

The Advance of UWB for High Quality and Low Latency Audio C3Jonathan McClintock

10:00am CEST

The benefits, tradeoffs, economics and tradeoffs of standard and proprietary digital audio networks in DSP systems LobbyMiguel Chavez

10:10am CEST

Recursive solution to the Broadband Acoustic Contrast Control with Pressure Matching algorithm C2Guilhem Pages • Roberto Longo • Laurent Simon • Manuel Melon

10:30am CEST

GSound-SIR: A Spatial Impulse Response Ray-Tracing and High-order Ambisonic Auralization Python Toolkit C2Yongyi Zang • Qiuqiang Kong

11:00am CEST

Ambisonic Spatial Decomposition Method with salient / diffuse separation C2Lukas Gölles • Matthias Frank

11:15am CEST

Don't run! It's just a synthesizer C1Gustaw Miłoszewski

11:20am CEST

Towards a standard listener-independent HRTF to facilitate long-term adaptation C2Pedro Llado • Katharina Pollack • Nils Meyer-Kahlen

11:45am CEST

Best practices for wireless audio in live production Hall FBob Lee

12:00pm CEST

On the Design of Binaural Rendering Library for IAMF Immersive Audio Container C2Tomasz Rudzki • Gavin Kearney • Jan Skoglund

1:00pm CEST

Convention Opening Ceremony, AES Awards Presentation and Keynote Presentation Hall FHyunkook Lee

2:00pm CEST

Technical Committee on Automotive Audio Meeting Production Room 3

2:45pm CEST

Students Welcome Hall F The Ins and Outs of Microphones C3John Willett

3:00pm CEST

Automated soundstage tuning in cars LobbyMatteo Acerbi • Lucio Bianchi

3:20pm CEST

Honeybee sound generation using Machine learning techniques C1Piotr Książek • Urszula Libal

3:40pm CEST

Moving Sound Source Localization and Tracking based on Envelope Estimation for Unknown Number of Sources C1Donghang Wu • Jiaqi Du • Tianshu Qu • Qingbo Huang • Dejun Zhang

3:45pm CEST

Commercial Audio Sponsored Session: Television Remote Production - audio and control requirements in an ST2110 environment Hall FBenno Sonder

4:00pm CEST

Room Geometry Inference Using Localization of the Sound Source and Its Early Reflections C1Donghang Wu • Xihong Wu • Tianshu Qu

4:30pm CEST

Key Technology Briefings 1: Wireless Microphone Coverage at Warsaw Horse Racing Track C2Łukasz Starakiewicz

5:00pm CEST

Polish Audio Manufacturers Hall FMagdalena Piotrowska • Antoni Ożyński • Marek Walaszek • Krzysztof Tonn • Konrad Żywiecki Technical Committee on Broadcast & Online Delivery Meeting Production Room 3

9:00am CEST

Student Mix Critique Session Room 004 (Genelec)Ian Corbett Binaural Audio Reproduction Using Loudspeaker Array Beamforming Hall FJacob Hollebon • Marcos Simón Theoretical, Aesthetic, and Musical Review of Microphone Techniques for Immersive Sound Recording C4Kimio Hamasaki • Toru Kamekawa • Masataka Nakahara

9:15am CEST

Investigating Individual, Loudness-Dependent Equalization Preferences in Different Driving Sound Conditions C2Jan Rennies • Andreas Volgenandt • Sina Buchholz • Tobias Bruns • Christian Rollwage • Jens-E. Appell

9:35am CEST

Subjective test of loudspeaker virtualization C2Camillo Di Antonio • Matteo Acerbi • Lucio Bianchi

10:15am CEST

Fast facts on room acoustics Hall FEddy B. Brixen

10:30am CEST

Use of Headphones in Audio Monitoring C3Thomas Lund

10:40am CEST

Testing Auditory Illusions in Augmented Reality: Plausibility, Transfer-Plausibility and Authenticity C1Nils Meyer-Kahlen • Sebastia Vicenc Amengual Gari • Sebastian Schlecht • Tapio Lokki Acoustic Objects: bridging immersive audio creation and distribution systems C2Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel

10:45am CEST

Immersive Music Production - Stereo plus effects is not enough! C4Tom Ammermann

11:00am CEST

Perceptual Evaluation of a Mix Presentation for Immersive Audio with IAMF C1Carlos Tejeda Ocampo • Toni Hirvonen • Ema Souza Blanes • Mahmoud Namazi • Jan Skoglund Immersive Music Production Workflows: An Ethnographic Study of Current Practices C2Marcela Rada • Russell Mason • Enzo De Sena

11:20am CEST

Spherical harmonic beamforming based Ambisonics encoding and upscaling method for smartphone microphone array C2Yuhuan You • Yufan Qian • Tianshu Qu • Bin Wang • Xueyang Lv

11:40am CEST

Tiresias - An Open-Source Hearing Aid Development Board C2João Victor Colombari Carlet • Felipe Pimenta Bernardo • Bruno Cepeda Henriques • Mateus Isaac de Oliveira • Vinicius Marrara Pepino • Regina Tangerino de Souza Jacob • Wanderléia Quinhoneiro Blasca • Maria Fernanda Mondelli • Giédre Berretin-Felix • Deborah Viviane Ferrari • João Navarro • Ben-Hur Viana Borges

12:00pm CEST

Key Technology Briefings 2: PGE Narodowy Stadium - 360 degrees live sound - Case Study C1Kamil Zajdel Student Recording Competition 2 C3Ian Corbett Adaptive Room Acoustics Optimisation Using Virtual Microphone Techniques LobbyBrian de Brit • Gavin Kearney • David Dorran

12:15pm CEST

The Future Of Spatial Audio For Consumers C2Jacob Hollebon • Marcos Simón • Jan Skoglund • Hyunkook Lee • Markus Zaunschirm • Jean-Marc Jot

2:25pm CEST

Towards a Headphone Target Curve for Spatial Audio C1Alexander Mülleder • Nils Meyer-Kahlen • Konstantin Davy • Matthias Frank

3:15pm CEST

ECHO Project - Immersive Microphone Array Techniques for Orchestral Recording C4Hyunkook Lee • Katarzyna Sochaczewska • Morten Lindberg • Mark Willsher • Simon Ratcliffe

4:00pm CEST

Neural 3D Audio Renderer for acoustic digital twin creation LobbyLukasz Januszkiewicz • Piotr Cenda • Maria Pensko • Jakub Wasilewski • Tomasz Wozniak

8:30pm CEST

AES Student Party Off-Site

10:00pm CEST

Live Concert! “re:MAD” Off-Site

9:00am CEST

Student Mix Critique Session Room 004 (Genelec)Ian Corbett Strategies for Obtaining True Quasi-Anechoic Loudspeaker Response Measurements C1John Vanderkooy Tutorial Workshop: The Gentle Art of Dithering Hall FBob Stuart • Peter Craven Creating and distributing immersive audio: from IRCAM Spat to Acoustic Objects C4Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel A new one-third-octave-band noise criteria C2Christopher Struck Extension of Reflection-Free Region for Loudspeaker Measurements LobbyJohn Vanderkooy Impact of Voice-Coil Temperature on Electroacoustic Parameters for Optimized Loudspeaker Enclosure Design in Small-Signal Response LobbyNicolás Quinteros • Víctor Espinoza

9:20am CEST

IMPro -- Method for Integrated Microphone Pressure Frequency Response Measurement Using a Probe Microphone C1John Cozens • Matti Hämäläinen • Mikko Pekkarinen

10:45am CEST

Audio Post in the AI Future Hall FBradford Swanson • Leslie Gaston-Bird • Michał Fojcik • Nicolas de la Vega

11:00am CEST

Students Project Expo Lobby Analysis of the acoustic impulse response of an auditorium C1Rubén Fraile • Juan José Gómez-Alfageme • Elena Blanco-Martín • Juana María Gutiérrez-Arriola • Nicolás Sáenz Lechón Enveloping Masterclass: Florian Camerer Room 004 (Genelec)Florian Camerer • Thomas Lund

11:40am CEST

Evaluating room acoustic parameters using ambisonic technology: a case study of a medium-sized recording studio C1Maciej Jasiński • Jan Żera

12:00pm CEST

Tom Ammermann 3D Notes Room 004 (Genelec)Tom Ammermann

1:45pm CEST

A century of dynamic loudspeakers C3Juha Backman

3:00pm CEST

Convention Closing Ceremony Hall F

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