AES Europe 2025

AES Europe 2025

9:30am CEST

Correlation between middle and top layer loudspeaker signals and the listening range in 3D audio reproduction C2Toru Kamekawa • Atsushi Marui

9:50am CEST

Plane wave creation in non-spherical loudspeaker arrays using radius formulation by the Lamé function C2Tomohiro Sakaguchi • Yasuhiro Oikawa

10:10am CEST

Recursive solution to the Broadband Acoustic Contrast Control with Pressure Matching algorithm C2Guilhem Pages • Roberto Longo • Laurent Simon • Manuel Melon

10:30am CEST

GSound-SIR: A Spatial Impulse Response Ray-Tracing and High-order Ambisonic Auralization Python Toolkit C2Yongyi Zang • Qiuqiang Kong

11:00am CEST

Ambisonic Spatial Decomposition Method with salient / diffuse separation C2Lukas Gölles • Matthias Frank

11:20am CEST

Towards a standard listener-independent HRTF to facilitate long-term adaptation C2Pedro Llado • Katharina Pollack • Nils Meyer-Kahlen

11:50am CEST

Real-Time Auralization Pipeline for First-Person Vocal Interaction in Audio-Visual Virtual Environments C2Mauricio Flores Vargas • Enda Bates • Rachel McDonnell

12:10pm CEST

On the Design of Binaural Rendering Library for IAMF Immersive Audio Container C2Tomasz Rudzki • Jan Skoglund

10:40am CEST

Acoustic Objects: bridging immersive audio creation and distribution systems C2Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel

11:00am CEST

Immersive Music Production Workflows: An Ethnographic Study of Current Practices C2Marcela Rada • Russell Mason • Enzo De Sena

11:20am CEST

Perceived Quality of Binaural Rendering From Baffled Microphone Arrays Evaluated Without an Explicit Reference, Part 2 C2Hannes Helmholz • Jeffery Crukley • Jens Ahrens

11:40am CEST

Spherical harmonic beamforming based Ambisonics encoding and upscaling method for smartphone microphone array C2Yuhuan You • Yufan Qian • Tianshu Qu • Bin Wang • Xueyang Lv

1:30pm CEST

On the effect of photogrammetric reconstruction and pinna deformation methods on individual head-related transfer functions C2Katharina Pollack • Piotr Majdak • Lorenzo Picinali

1:50pm CEST

Mesh2PPM - Automatic Parametrization of the BezierPPM: Entire Pinna C2Florian Pausch • Felix Perfler • Nicki Holighaus • Piotr Majdak

2:10pm CEST

Towards a Headphone Target Curve for Spatial Audio C2Alexander Mülleder • Nils Meyer-Kahlen • Konstantin Davy • Matthias Frank

2:30pm CEST

Sound Source Directivity Estimation in Spherical Fourier Domain from Sparse Measurements C2Orhun Olgun • Huseyin Hacihabiboglu

2:50pm CEST

Perceptual evaluation of professional point and line sources for immersive audio applications C2Leon Merkel • Franz Zotter • Philip Coleman

4:00pm CEST

Binamix - A Python Library for Generating Binaural Audio Datasets Hall FDan Barry • Davoud Shariat Panah • Alessandro Ragano • Jan Skoglund • Andrew Hines Neural 3D Audio Renderer for acoustic digital twin creation Hall FLukasz Januszkiewicz • Piotr Cenda • Maria Pensko • Jakub Wasilewski • Tomasz Wozniak Performance Estimation Method for 3D Microphone Array based on the Modified Steering Vector in Spherical Harmonic Domain Hall FChuhan Qiu • Lingyun Xie Reconstructing Sound Fields with Physics-Informed Neural Networks: Applications in Real-World Acoustic Environments Hall FRigas Kotsakis • Sotiris Lois • Nikolaos Vryzas • Lazaros Vrysis • George Kalliris Recording and post-production of Dietrich Buxtehude baroque cantatas in stereo and Dolby Atmos using experimental 3D microphone array. Hall FŁukasz Kurzawski Subjective Evaluation on Three-dimensional VBAP and Ambisonics in an Immersive Concert Setting Hall FChenyu Xu • Giacomo Ascari • Kate Bosen • Jesper Andersen • Stefania Serafin Visualization of the spatial behavior between channels in surround program Hall FPavel Smokotnin