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Thursday, May 22
 

9:30am CEST

Correlation between middle and top layer loudspeaker signals and the listening range in 3D audio reproduction C2Toru Kamekawa • Atsushi Marui

9:50am CEST

Plane wave creation in non-spherical loudspeaker arrays using radius formulation by the Lamé function C2Tomohiro Sakaguchi • Yasuhiro Oikawa

10:10am CEST

Recursive solution to the Broadband Acoustic Contrast Control with Pressure Matching algorithm C2Guilhem Pages • Roberto Longo • Laurent Simon • Manuel Melon

10:30am CEST

GSound-SIR: A Spatial Impulse Response Ray-Tracing and High-order Ambisonic Auralization Python Toolkit C2Yongyi Zang • Qiuqiang Kong

11:00am CEST

Ambisonic Spatial Decomposition Method with salient / diffuse separation C2Lukas Gölles • Matthias Frank

11:20am CEST

Towards a standard listener-independent HRTF to facilitate long-term adaptation C2Pedro Llado • Katharina Pollack • Nils Meyer-Kahlen

11:50am CEST

Real-Time Auralization Pipeline for First-Person Vocal Interaction in Audio-Visual Virtual Environments C2Mauricio Flores Vargas • Enda Bates • Rachel McDonnell

12:10pm CEST

On the Design of Binaural Rendering Library for IAMF Immersive Audio Container C2Tomasz Rudzki • Jan Skoglund
 
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Hall F
  • Acoustic Transducers & Measurements
  • Acoustics
  • Acoustics of large performance or rehearsal spaces
  • Acoustics of smaller rooms
  • Acoustics of smaller rooms Room acoustic solutions and materials
  • Acoustics & Sig. Processing
  • AI
  • AI & Machine Audition
  • Analysis and synthesis of sound
  • Archiving and restoration
  • Audio and music information retrieval
  • Audio Applications
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  • Audio Effects & Signal Processing
  • Audio for mobile and handheld devices
  • Audio for virtual/augmented reality environments
  • Audio formats
  • Audio in Education
  • Audio perception
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  • Automotive Audio
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  • Evaluation of spatial audio
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  • Game Audio
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  • Hearing Loss Protection and Enhancement
  • High resolution audio
  • Hip-Hop/R&B
  • Impact of room acoustics on immersive audio
  • Instrumentation and measurement
  • Interaction of transducers and the room
  • Interactive sound
  • Listening tests and evaluation
  • Live event and stage audio
  • Loudspeakers and headphones
  • Machine Audition
  • Microphones converters and amplifiers
  • Microphones converters and amplifiers Mixing remixing and mastering
  • Mixing remixing and mastering
  • Multichannel and spatial audio
  • Music and speech signal processing
  • Musical instrument design
  • Networked Internet and remote audio
  • New audio interfaces
  • Perception & Listening Tests
  • Protocols and data formats
  • Psychoacoustics
  • Room acoustics and perception
  • Sound design and reinforcement
  • Sound design/acoustic simulation of immersive audio environments
  • Spatial Audio
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  • Paper Presentation
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