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Friday, May 23
 

10:40am CEST

Acoustic Objects: bridging immersive audio creation and distribution systems

11:00am CEST

Immersive Music Production Workflows: An Ethnographic Study of Current Practices

11:20am CEST

Spherical harmonic beamforming based Ambisonics encoding and upscaling method for smartphone microphone array

1:30pm CEST

On the effect of photogrammetric reconstruction and pinna deformation methods on individual head-related transfer functions

1:50pm CEST

Mesh2PPM - Automatic Parametrization of the BezierPPM: Entire Pinna

2:10pm CEST

Towards a Headphone Target Curve for Spatial Audio

2:30pm CEST

Sound Source Directivity Estimation in Spherical Fourier Domain from Sparse Measurements

2:50pm CEST

Perceptual evaluation of professional point and line sources for immersive audio applications

4:00pm CEST

Binamix - A Python Library for Generating Binaural Audio Datasets

4:00pm CEST

Neural 3D Audio Renderer for acoustic digital twin creation

4:00pm CEST

Performance Estimation Method for 3D Microphone Array based on the Modified Steering Vector in Spherical Harmonic Domain

4:00pm CEST

Reconstructing Sound Fields with Physics-Informed Neural Networks: Applications in Real-World Acoustic Environments

4:00pm CEST

Recording and post-production of Dietrich Buxtehude baroque cantatas in stereo and Dolby Atmos using experimental 3D microphone array.

4:00pm CEST

Subjective Evaluation on Three-dimensional VBAP and Ambisonics in an Immersive Concert Setting

4:00pm CEST

Visualization of the spatial behavior between channels in surround program
 
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Hall F
  • Acoustic Transducers & Measurements
  • Acoustics
  • Acoustics of large performance or rehearsal spaces
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  • Acoustics of smaller rooms Room acoustic solutions and materials
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  • AI
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  • Automotive Audio
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  • Electronic dance music
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  • Evaluation of spatial audio
  • Forensic audio
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  • Hearing Loss Protection and Enhancement
  • High resolution audio
  • Hip-Hop/R&B
  • Impact of room acoustics on immersive audio
  • Instrumentation and measurement
  • Interaction of transducers and the room
  • Interactive sound
  • Listening tests and evaluation
  • Live event and stage audio
  • Loudspeakers and headphones
  • Machine Audition
  • Microphones converters and amplifiers
  • Microphones converters and amplifiers Mixing remixing and mastering
  • Mixing remixing and mastering
  • Multichannel and spatial audio
  • Music and speech signal processing
  • Musical instrument design
  • Networked Internet and remote audio
  • New audio interfaces
  • Perception & Listening Tests
  • Protocols and data formats
  • Psychoacoustics
  • Room acoustics and perception
  • Sound design and reinforcement
  • Sound design/acoustic simulation of immersive audio environments
  • Spatial Audio
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  • Wireless and wearable audio
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