AES Europe 2025

AES Europe 2025

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9:00am CEST

How to create and use audio for accessible video games? Hall FTomasz Żernicki • Joanna Pigulak • Tomasz Tworek Binaural Audio Reproduction Using Loudspeaker Array Beamforming C3Jacob Hollebon • Marcos Simón Theoretical, Aesthetic, and Musical Review of Microphone Techniques for Immersive Sound Recording C4Kimio Hamasaki • Toru Kamekawa • Masataka Nakahara

9:15am CEST

Generative AI in Audio Education: Process-Centred Teaching for a Product-Centred World C1/2Malachy Ronan Investigating Individual, Loudness-Dependent Equalization Preferences in Different Driving Sound Conditions C2Jan Rennies • Andreas Volgenandt • Sina Buchholz • Tobias Bruns • Christian Rollwage • Jens-E. Appell

9:30am CEST

Education & Career Fair Hall F

9:35am CEST

A Collaborative and Reflective Framework for Redesigning Music Technology Degree Programmes C1/2Malachy Ronan Subjective test of loudspeaker virtualization C2Camillo Di Antonio • Matteo Acerbi • Lucio Bianchi

9:55am CEST

Acoustic Sovereignties: Resounding Indigenous Knowledge in Sound-Based Research C1/2Hayden Ryan Objective measurements for basic sound quality and special audio features in cars C2Xiaojun Qiu

10:15am CEST

Fast facts on room acoustics Hall FEddy B. Brixen Immersive Music Production - Stereo plus effects is not enough! C4Tom Ammermann

10:30am CEST

Use of Headphones in Audio Monitoring C3Thomas Lund

10:40am CEST

Testing Auditory Illusions in Augmented Reality: Plausibility, Transfer-Plausibility and Authenticity C1Nils Meyer-Kahlen • Sebastia Vicenc Amengual Gari • Sebastian Schlecht • Tapio Lokki Acoustic Objects: bridging immersive audio creation and distribution systems C2Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel

11:00am CEST

Perceptual Evaluation of a Mix Presentation for Immersive Audio with IAMF C1Carlos Tejeda Ocampo • Toni Hirvonen • Ema Souza Blanes • Mahmoud Namazi • Jan Skoglund Immersive Music Production Workflows: An Ethnographic Study of Current Practices C2Marcela Rada • Russell Mason • Enzo De Sena

11:20am CEST

Evaluation of auditory distance perception in reflective sound field by static and dynamic virtual auditory display C1Zixiang Yan • Jun Zhu • Bousn Xie Perceived Quality of Binaural Rendering From Baffled Microphone Arrays Evaluated Without an Explicit Reference, Part 2 C2Hannes Helmholz • Jeffery Crukley • Jens Ahrens

11:40am CEST

Subjective evaluation of immersive microphone arrays for drums C1Arthur Moelants • Steven Maes Spherical harmonic beamforming based Ambisonics encoding and upscaling method for smartphone microphone array C2Yuhuan You • Yufan Qian • Tianshu Qu • Bin Wang • Xueyang Lv

12:00pm CEST

Student Recording Competition 2 C3 The Future of Immersive Audio: Expanding Beyond Music and Film C4Tomasz Żernicki • Piotr Stachera • Wojciech Ozimek Key Technology Briefings 2 C1 Acoustic analysis on ancient stadia: from Circus Maximum of Rome to Hippodrome of Constantinople Hall FAntonella Bevilacqua Adaptive Room Acoustics Optimisation Using Virtual Microphone Techniques Hall FBrian de Brit • David Dorran Analysis of the Sound Pressure Level Distribution in the Low-Frequency Range Below the First Modal Frequency in Small Room Acoustics Hall FAgnieszka Puzio • Bartłomiej Chojnacki Diffuse Signal Processing (DiSP) as a Method of Decorelating a Stereo Mix to Increase Mono Compatibility Hall FTommy Spurgeon Instantaneous Low-frequency Energetic Analysis for Detection of Standing Waves Hall FMadalina Nastasa • Ville Pulkki • Aki Mäkivirta

12:15pm CEST

The Future Of Spatial Audio For Consumers C2Jacob Hollebon • Marcos Simón • Jan Skoglund • Hyunkook Lee

1:00pm CEST

Student Recording Competition 3 C3

1:15pm CEST

Immersive Listening C4

1:30pm CEST

Discrimination of vowel-like timbre quality: A case of categorical perception? C1Andrzej Miśkiewicz • Tomira Rogala On the effect of photogrammetric reconstruction and pinna deformation methods on individual head-related transfer functions C2Katharina Pollack • Piotr Majdak • Lorenzo Picinali

1:45pm CEST

A Testbed for Detecting DeepFake Audio Hall FAndrzej Czyżewski • Divjot Singh • Tasie Kenneth • Mateusz Koniarek • Tanvir Ahmed • Marta Zielonka An audio quality metrics toolbox for media assets management, content exchange, and dataset alignment Hall FNikolaos Vryzas • Iordanis Thoidis • Lazaros Vrysis • George Papanikolaou • Charalampos Dimoulas Application for Binaural Audio Plays: Development of Auditory Perception and Spatial Orientation Hall FKlaudia Piątek • Dorota Młynarczyk Exploring the Process of Interconnected Procedurally Generated Visual and Audial Content Hall FGrzegorz Samson G.A.D.A.: Guitar Audio Dataset for AI - An Open-Source Multi-Class Guitar Corpus Hall FMonika Zarudzka • Cyprian Zasada • Piotr Krzyżanowski • Klaudiusz Muszyński • Maciej Trocha • Szymon Zaporowski

1:50pm CEST

Speech intelligibility in noise: A comparative study of musicians, audio-engineers, and non-musicians C1Karolina Szczepanowska • Andrzej Miśkiewicz Mesh2PPM - Automatic Parametrization of the BezierPPM: Entire Pinna C2Florian Pausch • Felix Perfler • Nicki Holighaus • Piotr Majdak

2:10pm CEST

Exploring stimulus spacing bias in MUSHRA listening tests using labeled and unlabeled graphic scales C1Ihar Balyka • Sławomir Zieliński Towards a Headphone Target Curve for Spatial Audio C2Alexander Mülleder • Nils Meyer-Kahlen • Konstantin Davy • Matthias Frank

2:15pm CEST

Storytelling in Audio Augmented Reality C3Matias Harju

2:30pm CEST

Investigating Listeners’ Emotional and Physiological Responses to Varying Apparent Width and Horizontal Position of a Single Sound Source C1Sławomir Zieliński • Antonina Stefanowska Sound Source Directivity Estimation in Spherical Fourier Domain from Sparse Measurements C2Orhun Olgun • Huseyin Hacihabiboglu

2:50pm CEST

A study on reverberation in a virtual acoustic setting using the Lexicon 960L Reverb Processor C1Aybar Aydin • Kathleen Zhang • Jack Kelly • Richard King • Wieslaw Woszczyk Perceptual evaluation of professional point and line sources for immersive audio applications C2Leon Merkel • Franz Zotter • Philip Coleman

3:00pm CEST

Analysis and Model of Temporal Sound Attributes from Recorded Audio C1Georgios Moiragias • John Mourjopoulos

3:10pm CEST

Detection of spectral component asynchrony: Applying psychoacoustic research to transient phenomena in music C1Jan Żera

3:15pm CEST

ECHO Project - Immersive Microphone Array Techniques for Orchestral Recording C4Mark Willsher • Hyunkook Lee • Katarzyna Sochaczewska • Morten Lindberg

3:20pm CEST

Honeybee sound generation using Machine learning techniques C1Piotr Książek • Urszula Libal

3:40pm CEST

Moving Sound Source Localization and Tracking based on Envelope Estimation for Unknown Number of Sources C1Donghang Wu • Jiaqi Du • Xihong Wu • Tianshu Qu

3:45pm CEST

A Curvilinear Transfer Function for Wide Dynamic Range Compression With Expansion C2Alice Sokolova • Baris Aksanli • Fredric Harris • Harinath Garudadri

4:00pm CEST

Room Geometry Inference Using Localization of the Sound Source and Its Early Reflections C1Donghang Wu • Xihong Wu • Tianshu Qu Beyond Stereo: Using Binaural Audio to Bridge Legacy and Modern Sound Systems C3Alex Kosiorek Binamix - A Python Library for Generating Binaural Audio Datasets Hall FDan Barry • Davoud Shariat Panah • Alessandro Ragano • Jan Skoglund • Andrew Hines Neural 3D Audio Renderer for acoustic digital twin creation Hall FLukasz Januszkiewicz • Piotr Cenda • Maria Pensko • Jakub Wasilewski • Tomasz Wozniak Performance Estimation Method for 3D Microphone Array based on the Modified Steering Vector in Spherical Harmonic Domain Hall FChuhan Qiu • Lingyun Xie Reconstructing Sound Fields with Physics-Informed Neural Networks: Applications in Real-World Acoustic Environments Hall FRigas Kotsakis • Sotiris Lois • Nikolaos Vryzas • Lazaros Vrysis • George Kalliris Recording and post-production of Dietrich Buxtehude baroque cantatas in stereo and Dolby Atmos using experimental 3D microphone array. Hall FŁukasz Kurzawski Subjective Evaluation on Three-dimensional VBAP and Ambisonics in an Immersive Concert Setting Hall FChenyu Xu • Giacomo Ascari • Kate Bosen • Jesper Andersen • Stefania Serafin Visualization of the spatial behavior between channels in surround program Hall FPavel Smokotnin

4:05pm CEST

Tiresias - An Open-Source Hearing Aid Development Board C2João Victor Colombari Carlet • Felipe Pimenta Bernardo • Bruno Cepeda Henriques • Mateus Isaac de Oliveira • Vinicius Marrara Pepino • Regina Tangerino de Souza Jacob • Wanderléia Quinhoneiro Blasca • Maria Fernanda Mondelli • Giédre Berretin-Felix • Deborah Viviane Ferrari • João Navarro • Ben-Hur Viana Borges

4:30pm CEST

Ask Us Anything About Starting Your Career Hall FIan Corbett

4:40pm CEST

Comparing Human and Machine Ensemble Width Estimation in Binaural Music Recordings under Simulated Anechoic Conditions C1Paweł Antoniuk • Karol Wójcik • Slawomir Zielinski • Hyunkook Lee

5:00pm CEST

Data-driven estimation of traditional frame drum construction specifications C1Nikolaos Vryzas • Vasileios Bountourakis • Antonis Pagonis Exploring Temporal Properties of Closely Delayed Signals in Immersive Music Production: Psychoacoustic and Spatial Perception Considerations C4Can Murtezaoglu • Taylan Ozdemir

5:15pm CEST

Key Technology Briefings 3 C1

5:20pm CEST

Automatic generation of music captions C1Mateusz Zieleziński • Ewa Łukasik