AES Europe 2025

AES Europe 2025

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9:00am CEST

Strategies for Obtaining True Quasi-Anechoic Loudspeaker Response Measurements C1John Vanderkooy A new one-third-octave-band noise criteria C2Christopher Struck Creating and distributing immersive audio: from IRCAM Spat to Acoustic Objects C4Jean-Marc Jot • Thibaut Carpentier • Olivier Warusfel Key Technology Briefing 4 C3 Tutorial Workshop: The Gentle Art of Dithering Hall FBob Stuart • Peter Craven Extension of Reflection-Free Region for Loudspeaker Measurements Hall FJohn Vanderkooy Impact of Voice-Coil Temperature on Electroacoustic Parameters for Optimized Loudspeaker Enclosure Design in Small-Signal Response Hall FNicolás Quinteros • Víctor Espinoza Material Characterization and Variability in Loudspeaker Membranes for Acoustic Modeling Hall FAdriane Elizabeth Replogle • Chiara Corsini • Luca Villa • Grazia Spatafora • Romolo Toppi Shape Optimization of Waveguides for Improving the Directivity of Soft Dome Tweeters Hall FHe Xiao • Jun Gu • Zhi Li • Jianbin Yang Supervised Machine Learning for Quality Assurance in Loudspeakers: Time Distortion Analysis Hall FGregg O'Donnell

9:20am CEST

IMPro -- Method for Integrated Microphone Pressure Frequency Response Measurement Using a Probe Microphone C1John Cozens • Matti Hämäläinen • Mikko Pekkarinen Mixed-Phase Equalization of Slot-loaded Impulse Responses C2Sunil Bharitkar • William Decanio

9:40am CEST

Non-invasive sound field sensing in enclosures using acousto-optics C1Manuel Hahmann • Chloé Balmes • Esteban Fuentes • Samuel Verburg Analog Pseudo Leslie Effect with High Grade of Repeatability C2Cristiano dos Santos • Sidnei Noceti Filho • Walter Gontijo

10:00am CEST

The Search for a Universal Microphone C1Andrew Lipinski Computational Complexity Analysis of the K-Method for Nonlinear Circuit Modeling C2Martin Jedla • Balázs Bank

10:30am CEST

Student Recording Competition 4 C4

10:40am CEST

Immersive recordings in virtual acoustics: differences and similarities between a concert hall and its virtual counterpart C1Gianluca Grazioli • Andrea Gozzi • Mehdi Rahimdokht • Alessandro Braga • Richard King • Wieslaw Woszczyk A simplified RLS algorithm for adaptive Kautz filters C2Kristóf Horváth • Balázs Bank

10:45am CEST

Audio Post in the AI Future C3Bradford Swanson

11:00am CEST

Analysis of the acoustic impulse response of an auditorium C1Rubén Fraile • Juan José Gómez-Alfageme • Elena Blanco-Martín • Juana María Gutiérrez-Arriola • Nicolás Sáenz Lechón An Artificial Reverberator Informed by Room Geometry and Visual Appearance C2Ruari Molyneux • Joshua Reiss Loudness of movies for Broadcasting Hall FFlorian Camerer Students Project Expo Hall F

11:20am CEST

Sparsity-based analysis of sound field diffuseness in rooms C1Ece Beren Genc • Mert Burkay Coteli • Huseyin Hacihabiboglu Direct convolution of high-speed 1 bit signal and finite impulse response C2Iori Sakurai • Yuta Gomi • Tomohiro Sakaguchi • Yasuhiro Oikawa

11:40am CEST

Evaluating room acoustic parameters using ambisonic technology: a case study of a medium-sized recording studio C1Maciej Jasiński • Jan Żera Knowledge Distillation for Speech Denoising by Latent Representation Alignment with Cosine Distance C2Diep Luong • Mikko Heikkinen • Konstantinos Drossos • Tuomas Virtanen

11:45am CEST

The Next Generation of Immersive Capture and Reproduction: Sessions from McGill University’s Virtual Acoustic Laboratory C4Kathleen Zhang • Mihai-Vlad Baran • Aybar Aydin • Michail Oikonomidis • Mathew Vallejo • Jack Kelly • Richard King • Wieslaw Woszczyk

12:15pm CEST

Workshop: How to Build a World-Class Brand in 24 Hours C1/2Joshua Ingram

12:25pm CEST

Simulated Free-field Measurements C2Christopher Struck

12:30pm CEST

What was it about the Dolby Noise Reduction System that made it successful? C3Jamie Angus-Whiteoak

1:30pm CEST

Key Technology Briefing 5 C1

1:45pm CEST

Be A Leader! Hall FGary Gottlieb • Ewa Łukasik • Brecht De Man • Leslie Gaston-Bird A century of dynamic loudspeakers C3Juha Backman